This series was my first foray into capital F fine art. It features heavy use of text and image and appropriation in the punk tradition, being drawn to resemble the collaged and xeroxed art from event flyers and record sleeves. The pieces here are not as literal or formal as later ones, and touch on a variety of topics that would be visited later. They allude to art history, religion, disease, misanthropy and also the growing inspiration from the paintings of Flemish master Hieronymus Bosch.